They did however, have a reputation for focus breathing quite heavily and, like most photography lenses, are not parfocal. In summary, the parfocal debate isn't nearly as big of a problem as everyone makes it out to be, however the focus breathing is. Now true cinematography is within reach, even on smaller projects or for special effects. Sigma recently loaned me a pair of the zooms for use on a project in the Scottish Highlands and so I took the opportunity to get to the bottom of things myself and find out the truth about the Sigma lenses. For now these frames will have to suffice though I daresay that they still provide an eyeopening insight into these lenses' performance. As the shoot was 18 months ago, to be perfectly honest I can’t remember whether I had the PL or EF mount lenses. A full featured cinema zoom lens, the 18-35mm is a … In 2012, Sigma seemingly underwent a complete transformation - from typical third party manufacturer to premium quality brand virtually overnight, with the release of their 35mm f/1.4 from their now fabled 'Art' series of lenses. Bokeh is smooth and uniform; these lenses are more reminiscent of Fujinon's cleanliness than Angenieux's characterfulness. Focus breathing is when the angle of view changes as the focus is racked from one distance to another - essentially zooming in or out just by focusing. If I have the opportunity again, I'll be sure to conduct a more rigorous test that includes checking for breathing at 18mm and shooting everything wide open for both the breathing and parfocal tests. That all changed with the announcement that they are releasing Sigma Cine Lenses, … With class leading performance, this lens is ideal for wedding photography, landscape photography, videography, astrophotography, lowlight/indoor photography and event photography. The decision to pick this aperture was to optimise sharpness without suffering from diffraction - plus, for the focus breathing shots, the image is still discernible when out of focus. Previously I have written about the advantages of shooting exclusively with zooms and being at least one stop faster than anything else is another huge bonus. Besides, I typically have focus and zoom position disabled on screen with the FS7 anyway – so at most I would have only noticed aperture. Outstanding wide-aperture, mid-telephoto performance with F1.4 brightness at maximum aperture, this lens incorporates 17 optical elements in 12 groups, an uncommonly large number of elements for a prime lens. By Sigma's own admission, the 50-100 is the worst offender of all of their lenses, so expect the primes to fare better. Pingback: Sigma Announces High Speed Cine Zoom Lens Price and Availability October 21, 2016 Read More: Ultimate Guide to Sony E-Mount Video and Cine Lenses […] Pingback: Sigma 18-35mm T2.0 & 50-100mm T2.0 Cine E-mount lens Preorder Links March 16, 2017 The full resolution images (6000x4000) are available to analyse yourself should you wish, by clicking on the images. High-performance and compact Two zoom lenses are all you need for professional cinematography. SIGMA has also optimized the cam for cine lenses for even easier long distance focusing. Prioritizing optical performance, the lens features an extending, floating, two-group focus mechanism. Sigma Cine Lens Pricing & Availability . The latest optical design allows for the utmost in image quality with careful attention paid to edge to edge performance. All lens design ultimately comes down to compromise. The Sigma 24-70mm F2.8 DG HSM OS Art is a premium workhorse zoom lens designed for the latest high megapixel DSLRs. The first addition to the Art category in Sigma’s Global Vision, the 35mm 1.4 DG HSM includes new features based around a unique lens concept and design. The Sigma 135mm F1.8 DG HSM Art is a medium range telephoto prime lens designed for modern high megapixel DSLRs. Rivaling a high-end prime set with their stunning image quality and compact construction, they also offer full-frame coverage. At 100mm look at the river again, and the loch in the top left. Premium FLD glass, with performance equal to flourite, and seven SLD glass elements allow for outstanding image quality. The High Speed Zoom Line offers a constant aperture of T2 throughout the zoom range, and their outstanding optical performance makes them fully ready for high-resolution shooting in 6K-8K. or Best Offer. Click to enlarge.Sigma Cine Zoom 50-100 focused up at 100mm. The look of the Sigmas could be described as neutral. This was done to strike a balance between the fine accuracy of using a follow focus and the ability to manually focus with one twist of the wrist - and not needing to turn the ring several times by hand. Sigma claim they're weather sealed too. A frame was taken whilst zoomed in, then zoomed out and without touching the focus, another photo taken. Through rigorous testing, the Sigma 85mm 1.4 Art ushers in a new era of quality and performance for this popular fast prime focal length. The Sigma 14-24mm F2.8 DG HSM Art is the ideal ultra-wide-angle zoom lens for the most demanding photographers. The Sigma Cine 24-35mm T2.2 is a wide, compact, lightweight, high-quality zoom for Full Frame and, of course, Super35. The Sigma 50-100mm 1.8 DC HSM Art is a premium mid telephoto zoom lens designed for APS-C sized sensors. In hindsight, admittedly I should have probably shot the parfocal test wide open as this will likely highlight the flaws more prevalently, though equally, this probably demonstrates a 'best case' scenario. For a relatively inexpensive ($4,000) cine lens, the Sigma 18–35mm T2 zoom is remarkably free of chromatic aberrations. Using these lightweight, fast zooms in remote locations was a big advantage. An emphasis on edge to edge performance brings stunningly sharp and contrasty images to life. Shutter release was on a 2 second delay to prevent any camera shake. It features a maximum T-stop of 2, and the aperture does not ramp over the zoom range. Firstly, they look great. Particularly their high speed zooms, the 18-35 T2 and 50-100 T2. With a large 1.4 aperture, the Sigma 50mm 1.4 prime lens is a pro level performer for shooting everything including portrait photography, landscape photography, studio photography and street photography. The new Sigma Cine 18-35mm T2.0 High Speed Zoom Lens is among the fastest zoom lenses in the world. The Sigma 70mm F2.8 DG Macro is the first prime macro lens to be adorned with the Art badge. This cinema zoom lens combines the highest level of image quality with a compact design. Sigma 18-35mm T2 Cine High-Speed Zoom Lens, Imperial, Canon EF 4.8. Being an owner/op of a cinema zoom package has never been more achievable, and with SIGMA’s High Speed zoom line coming in at a $3,999.00 price-tag, buying one or two is an option for many. The 35mm is a staple focal length in the world of photography, and paired with Sigma technology, this lens can take artistic expression to the next level. Right: 35mm cropped and scaled to match the framing. Right: 100mm cropped and scaled to match the framing. The shoot in which I took the Sigma zooms involved hiking into remote locations and up mountains and as such, both weight and speed of shooting was a factor. And now for the more critical part of the review. As you can see, whilst neither lens is absolutely parfocal, they're not far off. With a constant F2.8 aperture throughout the entire zoom range, it’s designed for 50-megapixel plus cameras for outstanding high-resolution image quality. Offering the bright F1.4 aperture and an angle of view extremely close to that of human vision, this lens is ideal for many different types of photography. That's great - except by default, none of the witness marks are luminous. The Sigma 85mm 1.4 DG HSM Art is designed and engineered for unparalleled image quality. All of the images were shot at 6k on a Sony a6300 with identical settings. Not being parfocal may be a deal breaker for some. They feature a front diameter of 95mm, which is smaller than traditional cine lenses (114mm). For dynamic shoots that benefit from a cool crash zoom now and again - like the music video I was shooting - it is very difficult to zoom in quickly or to any distinctly different frame size. $3,500.00. These Sigma cine zoom lenses are a great choice for professional cinematographers, and they are really compact and well priced considering the price for a similar Zeiss zoom lens is twice as much. Sigma had been promising a price well bellow $5,000, and true to their word both the Cine High Speed Zoom 18-35mm T2 and 50-100mm T2 now have a price tag of $3,999 and will begin shipping on December 9th. This is the wide, short zoom that will be helpful for Steadicam, handheld, rigs, car shots, helicopter mounts, drones, as well as studio … Not only are they very sharp, but clean throughout the frame with no noticeable aberrations. Sigma also made a pair of super fast zooms for APS-C format, the 18-35 f/1.8 and 50-100 f/1.8. Click to enlarge.Sigma Cine Zoom 18-35 focused up at 35mm. Sigma, long a leader in mass still photo lens manufacturing, announces their first dedicated cine line of both zoom and prime lenses. Ideal for many types of photography, the 12-24mm F4 Art is perfect for landscape photography, architecture photography, interior photography and much more. Your email address will not be published. $23.20 shipping. Part of the Sigma Global Vision Art Line, the 50-100mm 1.8 is the second lens to feature a 1.8 aperture all the way through it focal length and factoring in the APS-C increase, the lens covers a highly useful range of 75-150mm. Looking at this night scene and examining the streetlight in the relative foreground, fringing is nearly absent. Sigma says they have plans to make the Cine Lens line fit PL-mount systems as well. Truly a revolutionary product, the Sigma 18-35mm 1.8 DC HSM is the first wide-angle to standard zoom lens to achieve a large aperture of 1.8. The 18-35 shows nearly no signs of breathing whatsoever - which is a good thing. The new line, called Sigma Cine Lenses, will feature three zoom lenses and five prime. Designed for exceptional sharpness at maximum aperture, this lens excels at available light photography. Through properly shimming my lens mount (PL), I was able to get the 50-100 to be 100% par focal and the 18-35 virtually PF (the slightest bit off – unnoticeable above a 2.8). An updated Hyper Sonic Motor (HSM) provides fast and accurate autofocus. Required fields are marked *. That means all of the great functions of that lens carry over, while adding full manual, geared control over focus, zoom, and iris, as well as a standard barrel size and … $6,999.00. A constant aperture of 2.8 through the zoom range makes this a highly versatile tool and a brand new Optical Stabilization (OS) system helps compensate for camera shake. Now pioneering optical design, Sigma have produced a number of unique and unrivalled products which, in addition to their excellent prime lenses, include a number of zooms such as the 24-35 f/2 and 120-300 f/2.8. Zoom Rooms is the original software-based conference room solution used around the world in board, conference, huddle, and training rooms, as well as executive offices and classrooms. Shop B&H for our huge inventory of Sigma Cine Lenses including popular models like FF Classic Art Prime, FF Classic Prime and FF High-Speed Art Prime. Unfortunately, Sigma didn’t release any pricing or availability information. In 4K, your cine zoom lenses can run, but they sure can’t hide. The Sigma 18-35mm T2 Cine High-Speed Zoom Lens with a Canon EF mount and with focus scales marked in feet provides an image circle that covers Super 35mm-sized sensors. The 50-100 however, exhibits very severe breathing. They are however, keen to point out that some mechanical improvements have been made. Officially, both of these points have been addressed and improved in the cine versions, however there is still a lot of doubt in many people's minds and online in general, about how good (or bad) these lenses are. Sorry about that. Sigma T1.5 Cine 50mm Full Frame High Speed Prime Lens with Canon EF Mount, 1' Close Focus Distance 2 offers from $4,208.68 Sigma 18-35mm T2 & 50-100mm Cine High-Speed Zoom Lenses for … An enhanced and slimmer Hyper Sonic Motor (HSM) provide fast and accurate autofocus while 3 Premium FLD and 1 SLD Elements produce incredible image sharpness. Ever since, almost everything that comes out of their doors rivals and even beats, optically at least, typical industry favourites from Canon, Nikon and even Zeiss - and at a fraction of the cost. The Sigma 50-100 T2 and Sony FS7 in the Scottish Highlands. This fast wide prime features the same large aspherical element touted in the Sigma 12-24mm F4 Art to control distortion and create stunning imagery. Your email address will not be published. Outdoor shooters will appreciate the dust- and splash-proof construction with special sealing at the mount connection, manual focus ring, zoom ring, and cover connection. A red square marks the sample area. Even against extremely high contrast edges, there was no chromatic aberration and only minimal halation. It features a maximum T-stop of 2, and the aperture does not ramp over the zoom range. For any zooming during a shot, from a slow tense creep or a dramatic crash zoom - the ability to retain focus throughout the zoom range is an important facet for filmmaking. This view offered lots fine detail to examine. The parfocal tests were manually focused to the very centre of frame (namely the sheep in the field) with the aid of focus magnification.
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